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This was Fleetwood Mac's second Concert here in Orebro. A lot of things had happened since last time. They had been on their first U.S. tour, released their second album "Mr. Wonderful" and augemented the band with a 5th member, Danny Kirwan. I was very curious of course to find out how these circumstances had effected the band.

I met them backstage, and they remembered me from Club 700. What was most obvious was the change in Peter Green, he was still very kind to me, I played on his 1959 Sunburst Gibson Les Paul in the dressing room. But it was noticeable that he was more self-confident, and it was evident that he was the leader, much more than before. I took Danny's pulse and asked him if he was their new frontman, he was very gently and said "of course not, first Peter plays his songs, then I do mine, and then Jeremy does his". Very sympathetic, I thought, this young kid (only two years older than myself) had kept his cool. I also did an interview with Mick Fleetwood, which I got on tape.

There was a big change on the stage also. Gone were the vaudeville days with assorted battered amplifiers. There was a forrest of new Orange amplifiers which had been presented to them by Cliff Cooper. Legendary Dinky Dawson was their new sound man. Peter wore a beautiful white shirt and brown leather pants. The faded denim days were long gone.

Peter opened their act with a stunning version of "Stop Messin' Round" where he played a brutally intense guitar solo extended over many choruses. Peter's new Orange-Matamp OR20 prototype worked very well with his Les Paul and he was experimenting with feedback.. It was a new Peter, not only new amplifier and clothes, but his playing had matured remarkable since last time. Next he did "Driftin' " at a slower suggestive tempo than on the "Original Fleetwood Mac" album.

Then it was time for young Danny to do his his part. When he played the intro on "Tell Me Mama" he took us all by suprise, it was easy to understand why they had inluded him in the band. Danny had a wonderful warm finger vibrato and a nice tone on his Gibson Les Paul Gold Top (with P-90's). His second song was his own composition "Something Inside Of Me".

Until now Jeremy Spencer had been playing piano. Now it was his turn do some numbers. When the slide hit the strings on his Gibson ES-120T, I heard that Jeremy's playing was more substantial than before. He really loved to do those Elmore James songs, and did it with a sincerity that is unsurpassed yet. Jeremy did a truthful version of "Standing At The Crossroads" and then Homesick James Williamson's "My Baby's Sweet".

John McVie had a new Fender Jazz Bass Sunburst and it sounded great on his new Orange amp/cabinet with Celestion G15C speakers. Mick Fleetwood played on a new Ludwig drum kit. Mick and John were the best rhythm section of the whole British Blues Boom.

Then it was time for the bandleader to master the stage again. Peter did a fervent version of Otis Rush's "Homework" again including feedback in his solo, he played with a force that was unmistakable. His next was B.B. King's moody "Worried Dream" and played the blues like only he could.

Danny played "Jigsaw Puzzle Blues" the B-side of "Albatross" that had been released the day before the concert. It was nice, a change from the 12-bars. Danny was a reinforcement, no doubt about it! It had come to a close, and Jeremy delivered an extendend version of their tour-de-force "Shake Your Moneymaker" . Everybody was dancing on the floor, even their recording manager Mike Vernon shook his hips.

It was round midnight and they had to stop, but Messrs Green, Kirwan, Spencer, McVie and Fleetwood didn't want to stop. Then somebody suggested that they should move over to a local blues club called Power House and have a jam session there.

It took some time before the stage was set at Power House, but everybody was in such a good mood and did not mind waiting, the beer was flowing...

First a local blues group, Blues Quality, who had been Fleetwood Mac's support act played some numbers. Then Mike Vernon joined them on stage for some songs. The members of Fleetwood Mac enjoyed seeing their recording manager on stage and soon mixed with the Swedish musicians, and finally took over.

After a few songs Peter Green saw me and invited me to play with them. First it scared the the hell out of me, and I gently said "thanks, but no thanks", but Peter insisted, and I found the courage to join Fleetwood Mac on stage. We did "Stop Messin' Round".

I played guitar solo for one chorus, and stopped, Peter nodded at me to go on, and so I did, with new gained conviction. The feeling of standing on stage with my idols was almost surrealistic and gave me such a kick that I squeezed some fantastic licks from my guitar that surprised everybody including myself.

The audience was cheering and shouted for more, so we did a fast 12-bar blues in E. It was a magical night and everybody experienced something that they would never forget.

Incidentally, Nicke Strom, who played bass with Peter Green on his tour here in Sweden, February 1999, was there in the audience and saw me playing with Fleetwood Mac.

Understandable this was one of the happiest and most influential days in my life. I understand how much I owe to Peter for becoming a professional musician, he was my pathfinder in a way. Thanks Peter!

Fleetwood Mac at Idrottshuset Orebro, Sweden. November 23, 1968